Luise Schröder

She takes a hand herself in history
10.12.2016 – 15.1.2017
The works of Leipzig-based artist Luise Schröder (*1982) deal with the reconstruction and instrumentalization of history in present time. At the studio space 45cbm she presents her multimedia installation „She takes a hand herself in history“, produced in 2015 in Israel and now shown for the first time in Germany. This work is devoted to the kibbutz, an attempt of a socialist utopia in Israel. By arranging historical images,

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Stephanie Neuhaus

Förderpreis für Bildende Kunst der Stiftung für Fruchtmalerei und Skulptur - Am Anfang war der Apfel
8.10.2016 – 27.11.2016
Ausgangspunkt für Stephanie Neuhaus´ Installation ist der Bronzeabguss einer Bananenschale, die an Computerspiele der 1980er Jahre erinnert, wie beispielsweise Donkey Kong oder Super Mario. Die Banane als mögliches Hindernis im Spiel wird im 3D-Druckverfahren über die gesamte Dauer der Ausstellung vervielfältigt. Mit jeder weiteren Bananenschale wird die betretbare Fläche des Studioraumes verkleinert und

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Cooper Jacoby

Matte Wetter
3.9.2016 – 9.10.2016
The exhaustion of resources, the digestion of waste and the reconfiguration of existing hardware are key concerns in the practice of Cooper Jacoby (*1989). “Matte Wetter” (German for ‘choke damp’), his exhibition at the 45cbm studio space, examines the life cycles of optimized materials with a light installation and a series of new wall works based on urban beehives.  Jacoby inverts the ways in which biomorphic

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Sarah Ortmeyer

BADEN BADEN
2.7.2016 – 28.8.2016
Sarah Ortmeyer’s exhibition BADEN BADEN (German for „swim swim“) at Staatliche Kunsthalle Baden-Baden weaves together leitmotifs from the artist’s previous shows and develops them further. In Paris, one thousand marbleized raw eggs were placed under palm trees in lieu of coconuts, and subsequently projected into a dome forming a starry sky in New York. The grey hues of the eggs and stars are echoed in the branches of the

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Evelyn Möcking

Da ist nichts mehr im Dunkeln
9.4.2016 – 12.6.2016
Evelyn Möcking presents an aesthetics of death. In doing so she uses organic components, which visualize life as well as demise. With her sculptural works the artist acts confrontationally and generates an ambivalence, which is primarily material-based. Ambiguity makes the viewer wallow between a sacred atmosphere and a distinctive disgust. The idea of vanity has been a central issue since the baroque era, and it is omnipresent in the

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Riccardo Paratore

Private Means
30.1.2016 – 31.3.2016
  Private Means is a term describing income from any source except earned income or state benefits. In German an individual living of private means is termed a “Privatier”, a word that pretends to be French, whereas in French itself it doesn’t exist, and thus seems coined by a premeditated sophistication of the german-bourgeois milieu. This circumstance, or better this comfort, is of interest, as the impact

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Harald Erath

Ritual . Firnis
12.12.2015 – 24.1.2016
Wie verhält sich das Gemälde zum Rahmen, zum Material, zum Raum, zum Betrachter? 45cbm gefüllt mit dramatisch inszeniertem Ritus: dem Aufbrechen der Malerei. Harald Erath bricht mit der Zweidimensionalität des Bildes und erweitert es durch die Möglichkeiten des Raumes. Der Betrachter wird vor die Wahl gestellt: stiller Voyeur zu sein oder selbst Teil des Bildes zu werden. Gespickt mit Verweisen auf christliche

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Cony Theis

Portrait
7.11.2015 – 6.12.2015
  ...Mann mit Hut trifft auf Affen trifft auf Kind trifft auf Serienkiller trifft auf Weinkönigin trifft auf Unbekannten trifft auf Jagdhund mit Gedankenblase trifft auf schöne Frau.... Die enge Hängung der Porträts im Studioraum 45 cbm der Staatlichen Kunsthalle Baden-Baden provoziert die Neigung zu betrachten – sich betrachten im Spiegel der anderen Vergessen und wissen schnell und langsam die Welt und sich

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Felix Kindermann

Separated
12.9.2015 – 18.10.2015
In his artistic practice Felix Kindermann (*1978) analyzes the influence of media representations on the individual, the body and the social relations. With an intermedial approach he explores the social relevance of contemporary visual culture.   With the exhibition "Separated" the artist transforms the studio space 45 cbm at the Staatliche Kunsthalle Baden-Baden to a video-sound installation. Four musicians of the Brussels Zerkalo

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Annette Ruenzler

Maintenance Permanente
25.7.2015 – 30.8.2015
Berlin-based artist Annette Ruenzler will transform the studio space of the Staatliche Kunsthalle Baden-Baden in a poetic cabinet. The objects and arrangements refer to the artist's interest in social processes. She makes use of forms that have an obvious connection to the domestic use and are familiar from everyday life. Revised vases, lamps or upholstered furniture - have surreal alienations and have abandoned their original functions.The

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Maya Schweizer

The Dying Soldier of Les Milles
6.6.2015 – 19.7.2015
In her artistic practice Maya Schweizer (*1976) operates at the interface between art and film, documentarism and fiction. With her video works and installations, the french artist utilises representations of seemingly everyday occurrences to liberate hidden narratives. She focuses mainly on the socially marginalized and on cracks in collective memory cultures. For her exhibition at the studio space 45cbm at the Staatliche Kunsthalle

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Anike Joyce Sadiq

YOU NEVER LOOK AT ME FROM THE PLACE FROM WHICH I SEE YOU
18.4.2015 – 31.5.2015
In her video installations and performances the artist Anike Joyce Sadiq illuminates the tense field of social relations. For her exhibition at the studio space 45cbm at the Staatliche Kunsthalle Baden-Baden, the artist developed a set for a video installation in which she examines the flickering between the eye and the gaze as a sphere of desire: A moving shadow draw us into the room, so that the viewer eventually becomes part of the projection

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Marc Breu

21.2.2015 – 5.4.2015
In his artistic practice, Marc Breu (*1984) examines the functions and attributions of objects, spaces and materials. Referring to Sigmund Freud's dream theory, he uses the technique of spatial shifting as well as a condensation of multiple levels of meaning. Both procedures are connected with each other and objects of great semantic density are created, hybrid forms such as „shoe-house-animal“ or „garment-fur-plant“.

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Sonya Schönberger

Anton
13.12.2014 – 8.2.2015
The artist Sonya Schönberger (*1975) engages with memory traces of the recent German past. Biographical material and found objects nurture her archive of individual historical narratives. Through the performative use of media such as film, photography, sculpture and text as well as in theatrical formats she exposes the fractures and the construction of these narratives. In her installation at the studio space 45cbm the artist is dealing with

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Laura Lesser

The Savage Hits Back
25.10.2014 – 30.11.2014
The exhibition The Savage Hits Back comprises artworks and finds of different materials and techniques, from different times and different cultural backgrounds presented in the manner of a cabinet of curiosities and wonders. Laura Lesser (*1984) draws the fresco sketch (1845) for the Berlin dome by Peter Cornelius on a scale of 1:1, following a large format photography. She draws the woodcut from Hans Holbein's Dance of the Death (1526),

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Hristina Ivanoska and Yane Calovski

Chapel (We are all in this alone)
6.9.2014 – 17.10.2014
The exhibition Chapel (we are all in this alone), presenting works by two Macedonian artists Hristina Ivanoska and Yane Calovski, communicates the idea of belief as contemporary socio-political anomaly.For the exhibition space 45 cbm of the Staatliche Kunsthalle Baden-Baden the artists developed a new collaborative work – a wall drawing that restages the architecture of “St. Gjorgji“, a 12th century church in the village of

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Diana Policarpo

Beating Back Darkness
5.7.2014 – 24.8.2014
The 45cbm exhibition series will continue with a festive re-opening in July 2014, starting with a project by London-based artist Diana Policarpo (*1986, Portugal), who recently received a MFA in Fine Art from Goldsmiths College. Her work can mainly be described as a spatial practice: Various media such as drawing, performance, sound, writing and spoken word open up different ways for her to delineate and activate objects and space. She composes

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45 cbm Program

15.11.2013 – 22.6.2014
In 2013, the studio space 45cbm enhanced the exhibition program of the Kunsthalle with seven ambitious and experimental projects by international emerging artists. Since November, the venue on the ground floor of the Kunsthalle serves as a walk-in archive for the work „La Promesa“ by Mexican artist Teresa Margolles, as part of the exhibition „Power of the Powerless“ in the upper galleries. Hereafter, the Great State

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Matthias Böhler, Felix Burger, Christian Orendt

A Mess Carol
7.9.2013 – 20.10.2013
"I am the ghost of the Mess Yet to Come. I will be born in the future,as a witness to times of tremendous turmoil."For their exhibition at our studio space 45cbm, the two Nuremberg-based artists Christian Orendt (*1980) and Matthias Böhler (*1981), who have been working as a duo since 2007, have teamed up with Felix Burger (*1982), currently holding a scholarship at the Rijksakademie in Amsterdam. One

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Lene Markusen

Welcome Willkommen
27.7.2013 – 1.9.2013
The Danish artist Lene Markusen (*1973) stages an exhibition filled with provocative questions and promises of salvation at Staatliche Kunsthalle Baden-Baden's Studioraum 45cbm. Based on a collection of leaflets which offer healing, love and a feeling of community an 'inner' space with a multitude of projections is created. This conglomeration offers the viewer the opportunity to become part of a larger unity – or is it just an empty

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Stefanie Lampert

traverse
8.6.2013 – 14.7.2013
Stefanie Lampert realized In situ work in the Staatliche Kunsthalle Baden-Baden, studio space 45cbm. Her work shows color field painting based on architecture, which equally defragments the space and extends it by one dimension.Stefanie Lampert was born in 1966 in Pforzheim, studied painting at the Academy of Fine Arts in Karlsruhe in the class of Rainer Küchenmeister, Antonio Dias and Ernst Caramelle, where she was also a master

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Alina Schmuch & Franca Scholz

HAUSEN - Konkrete Substanz und die Möglichkeit einer Sitzgruppe
20.4.2013 – 2.6.2013
For their exhibition HAUSEN at the studiospace 45cbm, artists Alina Schmuch and Franca Scholz have examined various places, their materials and surfaces. They took photographs of both the vastly expanding Olympic city Sochi - in cooperation with the Strelka Art Institute in Moscow - and its twin city Baden-Baden. For their installation at the studio space 45cbm, the students of the University of the Arts in Karlsruhe combine

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Matthew Lutz-Kinoy & Natsuko Uchino

KERAMIKOS
6.3.2013 – 7.4.2013
KERAMIKOS is a ceramics collection dedicated to celebrating local food and collaboration through the framework of a two year long ceramic tour. For KERAMIKOS Baden-Baden, artists Matthew Lutz-Kinoy and Natsuko Uchino will debut the first formal presentation of their handmade ceramic banquet set in the Kunsthalle Baden-Baden's studio space 45 cbm.The exhibition continues in the museum cafe: On April 6th at 6 PM a finissage titled

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Claudia de la Torre

The Questions Library
26.1.2013 – 28.2.2013
For her installation The Questions Library Claudia de la Torre (Born 1986 in Mexico City, lives and works in Karlsruhe, Germany) is transforming the exhibition space into a service facility: fully equipped with a table, chairs, a reading lamp and the bookshelves, that are inspired by the interior of a library. The books themselves were mostly gathered in an open call and have one thing in common: A look at their spine reveals that all titles

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The Carousel Collection

Triin Tamm
7.12.2012 – 20.1.2013
Nostalgia. It's delicate... but potent. Teddy told me that in Greek, "nostalgia" literally means, "the pain from an old wound". It's a twinge in your heart, far more powerful than memory alone. This device isn't a spaceship. It's a time machine. It goes backwards, forwards. It takes us to a place where we ache to go again. It's not called the Wheel. It's called a Carousel. It lets us travel the way a child travels. Around and around, and back

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Sebastian Winkler

Kreuz, Kienitzer
28.10.2012 – 25.11.2012
Sebastian Winkler (*1979) develops three-dimensional retrospective images in his installations and drawings. The tangible materiality or practical classifiability of this image triggers associations within the observer. In both his paper collages and his installations, made from firebrick, wire and textiles, a topography evolves which opens up a mentally accessible space. Here, fragments of memory are transformed into palpable forms and

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Selma Alaçam

A kiss is (not) just a kiss
15.9.2012 – 21.10.2012
In her work Selma Alaçam follows traces of her own German-Turkish biography, closely observing the psychological and social experiences that result from it. Thus, she has developed an analytic approach to understanding the delicate hues within cultural, social and religious poles. Her interest lies in fractures and the complex relationship between Islamic and Western cultural spheres. She works in video, photography

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BURGHARD

Es gibt Ordnungen
21.7.2012 – 2.9.2012
BURGHARD (artists Romy and Stef Richter) develop installation-based works which are composed of a great number of different, often everyday materials. Objects made from glass, porcelain, stone, or an overhead projector as well as pages from magazines are withdrawn from their familiar contexts and understood as cultural instruments and sediments. They oscillate between materiality and mediality. The physicality of the objects is set in

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Claudia Chaseling

It Goes Deeper
26.5.2012 – 13.7.2012
Claudia Chaseling (*1973 in Munich, lives and works in Berlin) will develop the expansive, pitoresque installation "It Goes Deeper" for her exhibition at 45cbm, the new studio space of the Staatliche Kunsthalle Baden-Baden. With this site-specific work, the artist addresses to the antagonist relationship between cosmos and chaos. While the first is commonly understood as orderly and decorative, the latter is linked with disorder and discomposure.

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Rachel Sussman

The Oldest Living Things in the World
13.4.2012 – 20.5.2012
For our second exhibition at 45cbm, our new studio space, we invited Rachel Sussman (*1975, lives and works in New York) to present her project "The Oldest Living Things in the World." For the past six years, the artist has been travelling to remote and often isolated locales, most recently Antarctica, to take pictures of continuously living organisms that are 2,000 years old and older. Her work is part art and part science, underscored by a

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Selene States

Swing Shoe Shop
12.2.2012 – 9.4.2012
American artist Selene States (*1984 in Providence, USA, lives and works in London) will be inaugurating 45cbm with her installation "Swing Shoe Shop", transforming the former bookshop into an emporium of original 1920's-40's dance shoes, reminiscent of the vibrant Swing culture of the inter-war era.A video projection of swing dance choreography occupies the central floor of the space, with 52 pairs of vintage shoes presented on the

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